Monthly Archives: October 2014

A conversation with myself (about David Bowie & Maria Schneider)

“Hey! What’s doing?”

“Hey back! A lot of things doing actually.”

“I’m not surprised. You haven’t written anything new on the blog in 2 months.”

“Yeah. Sorry about that. But there’s still a lot of good stuff going up at JazzSpeaks! Keep your eyes peeled for a discursive interview with the amazing composer/drummer Tyshawn Sorey on Tuesday.”

“Cool. I know you’ve mentioned him before as someone doing really interesting/out-there/exciting stuff. But anyway, the thing that’s surprising me right now is that jazz seems to be having some kind of cultural moment.”

“What do you mean. We all know jazz is dead, right?”

“Haha. Very funny. What I mean is that jazz is popping up in some unexpected places, and without the influence of a neoclassicist like Wynton Marsalis. This new movie Whiplash about an aspiring jazz drummer and the relationship with this tyrannical teacher has gotten huge raves. And apparently another highly anticipated movie, Birdman, with Michael Keaton as a washed up action star trying to revitalize his career with a Broadway show, has a score that’s just some jazz drummer playing beats.”

“Yeah. That drummer is Antonio Sanchez, who’s best-known for playing with guitarist Pat Metheny for the past decade. Check out this solo!”

“Yikes. Those are some chops, man!”

“Oh yeah. Beats for days.”

“Jazz is also topping the charts right now for the first time in I don’t know when with that Tony Bennett-Lady Gaga record.”

“Yeah! I checked it out and though it’s very old-school traditional, it’s well done. Gaga knows this material, and though there are sometimes she goes too big and milks phrases unnecessarily, she doesn’t feel out of place. And the arrangements are all solid and the band is on point. I won’t complain if a lot of people want to buy it! I’d be interested in a Gaga solo effort though where she writes old-school-sounding material and tours with a big band.”

“That would be interesting to say the least. And beyond that record, there’s the new Flying Lotus record that everyone’s raving about. He’s related to Coltrane somehow, right?

“His aunt is Alice Coltrane, the great pianist & composer (and John’s wife), which also means his cousin is the great contemporary saxophonist Ravi Coltrane. But he really has his own distinct personality and the musicianship to back it up. I’ve been loving this track from the new album featuring Kendrick Lamar and a blistering solo by the bassist Thundercat.”

“Wow. This is pretty insane. And now I hear that David Bowie is releasing a new single with a jazz big band?”

“Yeah! It’s this tune called ‘Sue (or in a season of crime).’ He recorded it this past summer with the Maria Schneider Orchestra, one of my favorite groups, and one whose influence on my own writing is hard to discount.”

“So is he just trying to capitalize on this Gaga-Bennett craze for pop stars singing jazz standards?”

“I wouldn’t say so. While half of Schneider’s brass section did play on that Gaga-Bennett record, she’s not a traditionalist at all. Actually, she hasn’t written anything that swings in a traditional sense in like 15-20 years. And I don’t think Schneider would do something like this just for the money. She’s actually been quite successful as jazz artists go.”

“Oh wait. I just heard the song got released today on this BBC radio show, and now it’s posted on YouTube.”

“Sweet. Let’s check it out.”

http://www.youtube.com/watch?v=mtR3WNpnCjM Continue reading

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